Saturday, March 21, 2015

Clamorous

Buy this item: Clamorous Coral
Anyone who likes snorkeling or scuba diving, like I do, knows how coral reefs can look like. Marine aquarists may experience the fabulous coralline colors in their home aquarium as well.

Coral reefs provide shelter to thousands of living creatures. The rock itself is mostly covered with a layer of algae, known as coralline algae. Eventually this becomes a beautiful, red crusted layer highly appreciated by hobbyists. In the marine aquarium it proves the water has ‘aged’, in other words your aquarium is ready for live stock. The crust layers grow upon anything, including pumps, windows etc. This can be annoying to an aquarist as removing the algae can be problematic and may require a daily routine.

Diving above the reefs, the current sways you back and forth. These waves provide the necessary movements for the corals as they are constantly providing new food supplies. The coral polyps, known to most people as the ‘little hands’, will grab the food out of the water. Of course divers usually go down under to enjoy corals and fish. I think the scenery of coral rock itself. The construction and the colors are creating a natural image which is worth to have a closer look. It inspired me over and over again.


The painting above is a triptych. Three panels of 60x60cm each (total length 180cm). It has the deep, crimson red and violet coloration which is also seen on coral rock. The water currents, bouncing in between the rocks, provided me the title. ‘Clamorous’ as in tumultuous, or disordered. The chaos of nature. I love it!

Saturday, March 14, 2015

Fragile

The weekly paintings I make for my fish-blog, are usually studies, made of acrylics on paper. I bet you hardly recognize a fish in this creature at all. It's a so called seadragon, a relative of the well-known seahorses and pipefish. Fragile beauties, living along the coast of Australia, where they are considered endangered.

For these fish-paintings I use smooth watercolors paper. I think handmade watercolors paper is too rough for the details I like to draw. Basically I start out with a storyline for my blog. There are thousands of fish, so it will take me quite a while to run out of stories. And the best part is, every year 200 – 400 new species are described. How’s that for inspiration? Then I have to find a picture which includes the essential details (fins etc.) to create my own painted version. I start with a sketch (pencil drawing) to determine the right size. Then paint a few layers covering each other to obtain the colors I want. The process is a combination of techniques used for watercolors and acrylics. Like watercolor paintings I sometimes leave parts of the paper untouched, these parts are the natural whites. For other details, like the glancing eyes, I use white acrylics on top of the black eye.


I know I’m lucky to have many photos available to discover the details of a fish. In the old days, ichthyologists had to create technical drawings of the fish they described by using the real specimens saved in formalin. The blog entries I create usually are close to reality. But whenever possible I’m not counting every spine, ray or scale. So…back to reality. The queer fish in this blog is newly described. It’s named the Red Seadragon. If you're interested, continue reading my Queer Fish-blog for more details and the first description.

Saturday, March 7, 2015

Inspired

Buy this item AM214131
Where do you get your inspiration? A question commonly asked. The answer not as renewing as many hope for. “It just happens” is my usual answer. Does this mean I am incredibly creative? Guess not. I prefer to think of my ‘creativity’ as a result of experience. How’s that? Let me try to explain.

The mind is a wonderful thing. It can withhold us to finish any work we have started. Writer’s block if you like to give it a name. (Made a stupid blog about that in April, 2005. Don’t mind if you take a look, but beware! A writer’s block really is awful…). On the other hand, your mind can also encourage you to proceed. Your mind has a will of its own. It’s working while you try to do some other work yourself. It’s even working while you are asleep. It’s more creative than you can imagine you will ever be. Experience, other people call it. And that’s the dirty little trick that does the work. The more you practice the better you will become in whatever you want to be doing.


Out of experience I can tell you the best ideas I get, pop up while I am working. When I’m writing, I get ideas for new stories. When I’m painting, I get more ideas to make another painting. To put it simply, one thing leads to another. I pick up lines from the news (yes, even from the old fashioned newspaper), TV, music, even fragments of conversations, said by people passing by. All these nice, angry, stupid, crazy, silly, lovely thoughts remain stuck in my mind. They pop out by occasion. Unexpected, sometimes unwanted, most of the time it seems an uncontrollable process. But as said before, practicing unveils many thoughts at the time you need them. Your unconscious is your best co-writer or co-painter. Hack, the best co-worker you can imagine. If you like to make a note, or a sketch of anything of interest you hear or see so you can use it later on, be my guest. I’ve made tons of notes and sketches which all seem to disappear. Except for the ones is have used in my Skredch-blog. It seems most of the time I am lost in my own chaos. But, when not asked for, my mind is able to retrieve those things I never considered lost. Ideas just pop up in my mind. Experience? Practice? Let’s call it inspiration.


Saturday, February 28, 2015

Realistic fantasy

Buy this item AM214129
“The plane, the plane”. Man how many times did I hear that annoying voice of Tattoo announcing the “new guest arrived”. Fantasy Island. Haven’t seen it for a long time now. Time for a rerun TV-guys? No, don’t bother. I didn’t ask. What I do want to know is: “where did the bloody plane land?”

I needed some information on airstrips or small airports everyone had forgotten about. After all, although I am writing fiction, things have to be realistic. In my mind I had planned a scene at an airport. In fact I had written the entire scene without knowing if the airport I had described really existed. For the record. Whether it would exist or not, was not a matter of life or death. As said, I’m writing fiction, so I can make up any airport I like. But then again, the real thing would make things a lot more convincing.

To my surprise the answer was easy to find. Unfortunately it was far more difficult to decide which of the abandoned airfields I was going to use. The website Abandoned and little known airfields by Paul Freeman, describes details of no less than 1,911 airfields in all 50 states of the US. History and mystery combined, so it’s said on the website. True stories and photos about days long forgotten. I enjoyed reading about those airfields. Some are still used, others partly or completely vanished. But all of them have a story worth to be remembered. Paul Freeman has made sure, these stories are remembered.


How about the Fantasy Island airstrip? Well, first of all it’s an island, guests were supposed to arrive by seaplane. The original series (1977-1984) was primarily filmed in Burbank, California. The coastline as seen in the opening scenes in fact is the coastline of the island Kauai, Hawaii. The plane with new guests arriving, was filmed in the lagoon behind the Queen Anne Cottage in Los Angeles County Arboretum and Botanic Gardens. 

Saturday, February 21, 2015

Social thriller

Buy this item AM214127
Crime fiction is divided into a wide variety of subgenres. Some writers specialize in a certain genre, like legal thrillersin which the major characters are lawyers and their co-workers, psychological thrillers, based on a mental and emotional conflict between the main characters, techno trhillers, in which sophisticated technology plays a prominent part, but also erotic thrillers about...well, I guess you can make it up for yourself.

No matter the subgenre a writer uses, most include elements of other subgenres as well. I admire writers like George Orwell(Nineteen Eighty-Four) and Aldous Huxley (Brave New World) for their powerful novels warning us of a future world where the state has become in complete control over our social life. Unaware of its real meaning, many people really think Big Brother is no more than a TV-format. The social message overruled by reality. TV-reality.

Gatorway is an exciting thriller, with a twist of humor, but mostly based on a social viewpoint. What if the drugs cartels will cooperate with terrorists, using high tech solutions to reach their goals? Having several plots ready to write, I was looking for a theme which could be found in all stories. What is my thriller subgenre? My preference for writers like Orwell and Huxley obviously had more influence as I imagined. In all manuscripts I’m working on, the social message is clearly present. Hence, the name social thriller was a fact.


A small, yet very important, aspect of thrillers is the presence or controversy of innocence versus a corrupt world. Corruption will be a main theme in the sequel to Gatorway, scheduled for publication February 2016. Although Gatorway is a story on its own, several clues have been given which have led to presently unsolved mysteries. Whereas these clues may seem to be coincidal in relation to the basic storyline, the unsolved mysteries are a prelude to the second book in this series.  “You ain’t seen read nothing yet!” 

Saturday, February 14, 2015

Gatorway

Buy this item: AM214136
 (cover Gatorway)
Gatorway may seem to be an unexplainable title. But...is it? If you're interested or curious about the meaning of this title you will have to read my latest thriller, Gatorway. 

Story outline: a Dutch student, Dylan Timmers, believes he has found himself the best summer job anyone can imagine: lifeguard at Miami Beach. But nothing appears to be what he expected. A dead body and a small package found at the beach where Dylan is working, completely turn his life upside down. Dylan becomes mixed up in the obscenity and malpractices of terrorists and the drugs scene. Gatorway is a socialthriller, which uncovers a societal problem most people are still unaware of.

The storyline is based upon the question: "what happens when terrorist groupsand drug cartels are fighting over power?" Despite all efforts, governments are hardly capablein controlling these organizations.

I enjoyed writing the story. Included many, unexpected twists, a little romance, humor and a spectacular drone attack. Yep! Nano-technology meets ordinary crime. 

The cover is not based on the 'regular thriller' format. I wanted to use some of my own artwork, without the usual photos of weapons, blood, running people or staring eyes. (Or any combination...). After all, I’m an artist of ‘words and vision’. Does it make my thriller unrecognizable for readers? Maybe as a single book. However, I'm thinking beyond this title. Just like the mini abstract paintings at the beginning of each blog entry, I want my thrillers to be recognizable as a series. The cover of Gatorway is based upon the small painting illustrated in this blog. Only 20x20 cm (7.87 x 7.87 inch), mixed acrylics and sand on canvas. 'Sand tiles' as I explained in a previous post. Pieces of art not appreciated by everyone. But I like the way the paint creates mysterious patterns in the sand. It’s all part of the game. Doesn’t every thriller start with a mystery?

Saturday, February 7, 2015

Sand Tiles

Buy this item: AM214151
Working with sand is always exciting. Sand has a "mind of its own". Mixing acrylics with sand, the paint creeps and crawls into unexpected directions, "washes" out in magnificent patterns and creates great drippings at the sides of your panel. Those crazy patterns can be seen on the small sand paintings I create. They are only 20x20cm (7.8x7.8"). I call them "Sand Tiles".Combined into groups, or hung in a row, they sort astonishing effects on your wall. The Sand Tile pictured hereby has also been used as background for this website.

Sand is used by several artists. Some like to create thick layers of sand which eventually will turn out to be as hard as a layer of concrete and then start curving and cutting until they achieve the shapes and size they like. Other simply pour sand upon their paintings. I like to use backgrounds of acrylics. Then pour mixed sand and acrylics upon certain parts of the painting. Occasionally upon the entire artwork, but mostly only upon a few parts to emphasize details. From thereon I use two techniques. The first one is based on pouring one or more colors into the first, still soft and moist layer. This will give the effect of paint waving out into several, often unexpected, directions. For the second technique every layer needs to become hard before I can continue to put on another layer in different colors. To fasten the process, I also mix both techniques.


I’m only human, so whenever possible I try to control the way the sand will crawl over the canvas. It looks like an eternal struggle with the elements (alright, without the wind and the fire). And to be honest, some of the best effects may happen all by themselves. The artist being a part of a natural process, but not in control. Human nature!

Sand Tiles are for sale at my online shop, categorized as Mini Abstract Paintings. (Price: $ 49.99).